A crippled girl walks into Jerry Farbers Side Door…voice recorder in one hand pen and paper in the other. What awaited me was a great night of music.
When I first received my assignment I turned straight to Goggle. Seems this band is so new there was no information on them…So I went, as I say, “bareback.”
What a wonderful surprise. These guys are REALLY REALLY GOOD! The Sagamores have a smooth beat and remind me to take it easy and just enjoy the vibe. I sat thinking these guys have had to been playing together for years.
The band is compiled of a “virtual cornucopia of whatever is clever.” There is a man for each of our ladies’ liking.
David Tulis is an award winning photo journalist, Pulitzer Prize nominated, bass playing machine. His influences are The Who, Rolling Stones, James Brown and B.B. King. Dave’s style is remarkable and I consider him the main staple that keeps the band moving.
If you are into “sultry man of the hour,” turn your attention to Dimitrios Hondroulis. He is in charge of lead vocals and rhythm guitar. Hondroulis has a New Orleans music scene vibe. His rhythm guitar could be heard around the 1980’s throughout the French Quarter in the form of ska band “The Socials.” He is the “Romeo” of the group…or so I have adorned him.
Josh Copland, the drummer of group, whom I have dubbed the “new kid,” has a steady hand and infamous “swagger” that will surely push the band’s limits when it comes to “groupies.” He is cute, talented, and a real ladies man. His touch is one of dedication, talent, and youth.
Last but not least Frank Fletcher…or so I like to say “big sexy.” Frank plays guitar, bass, and drums. Mr. Multi-Talented should be his name. He is a big sexy teddy bear whose influences are Stevie Ray Vaughn and, again, The Rolling Stones.
The Sagamores are “named after a tree lined Atlanta suburb where the majority of its musical contributors have their roots.” The bands mission and vision is to “entertain, influence, and contribute.”
Some would consider this band the “Velvet Underground” on steroids. I would call them “just fine by me.” In a world of shock value, these guys really bring back what it is truly like to be entertained and have a great message. The message being, “it’s never too late to answer your calling” or “live your dream,” something I’m all too familiar with.
The Sagamores first CD release titled “The Sagamores,” was released in January 2013 and already they are making their mark in Atlanta.
Listen to my favorite song, “Wrong Way” at http://youtu.be/Dx4Q6008nqQ.
For booking please contact R.K. Zorian at zorianit@msn,com.
You can also find The Sagamores on Facebook, Twitter, and www.reverbnation.com/thesagamores.
Picture left to right: David Tulis, Dimitrios Hondroulis, Josh Copland, Frank Fletcher
Jonah Parzen-Johnson at Lilypad
Jonah Parzen-Johnson has an innate ability to make the baritone sax sound like bagpipes, and maybe that’s why I cried.
Mostly I cried because Jonah tells radiant stories with his saxophone and analog synth, working the brass and pedals to recreate the framework which surrounds his album Remember When Things Were Better Tomorrow: Parzen-Johnson wanted to make “something of myself that’s for everybody else.”
Jonah opened his set with “Stay There, I’ll Come to You,” showcasing the harmony between synth and sax right off the bat. With haunting lilts, the two combined into a ribbon of melody, pulsating inside the ear as well as the heart. Much like the song’s title, Jonah was the one approaching the audience as an experimental troubadour of tête-à-tête.
The back stories and thoughts behind each song tied in so well with the raw, almost throaty sax, developing such strong, emotional resonance with the musical layers. The skeleton shook.
Speedy Ortiz “riiiiise above and gliiiiiide away” at The Sinclair
The Sinclair was a packed house Wednesday night for the Speedy Ortiz CD release party; as a hometown gig for the Northampton, MA-based band, kinetic warmth buzzed through friends and fans alike as Sadie Dupuis and crew played their freshly-release Foil Deer track-by-track.
What’s a party without some guests, though? That’s where Krill and Mitski come in.
Krill kicked off the night with some tracks from A Distant Fist Unclenching, other goods from Lucky Leaves. Lead singer/bassist Jonah Furman brought to mind early (read: good) Billy Corgan, which I’m not sure he will appreciate. But I think he’ll appreciate this: I couldn’t stop laughing because then I kept thinking about Marilyn Manson telling Billy Corgan that he looked like Charlie Brown.
Opening with “Theme from Krill,” the Boston trio has a knack for rhythm and melody that burrows into your brain. The dreamy bleakness of “Purity of Heart.” The discordant garage rock and hiccupping guitar and warbly Scooter-ness of “Foot.” Krill’s sound is a good, comfy noise that keeps you wiggling and all that good stuff. Be sure to catch the band at Boston Calling.
Years & Years at Royale Boston
During winter storm Juno, UK electro pop group Years & Years were forced to cancel the first show of their two-night stint in New York City back in January. After the snow finally melted, they made the rounds again this past March, playing several shows in California, South by Southwest before finally landing in Boston.
Due to popular demand, the show was moved from The Sinclair to the Royale in downtown’s Theater District.
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